Peixe-pescado: escrever a prática, processos de composição da escrita performativa - (2020)

Acessos: 37

Janaína Moraes, Igor Passos Pires

Volume: 15 - Issue: 0

Resumo. This article is driven by the question “what are the ways of writing practice?”. From this question we investigate, through a careful listening and a welcoming practice, the notion of fishing as a method itself. Writing the practice as a way of exercising the performativities of the encounters as a creative power: what is written happens in the bodies and, through them, being graphed, materializes themselves -artwork. A process that seeks the horizontality between the bodies and their moving knowledge is presented. Bodies that contain life, and in accepting, refusing and/or pinching the invitation, forms poetic, aesthetic and political networks. Writing as a practice of living bodies, living in the exercise of their possible performativities.

Keywords: writing and art, body language in art, composition (art), performance art

Idioma: Portuguese

Registro: 2024-10-19 22:32:31

https://www.revistas.udesc.br/index.php/dapesquisa/article/view/17945

10.5965/1808312915252020e0020